Chicago’s Robert Lamm Shares His Fave Pianists and Organists

Robert Lamm (Photo courtesy of Robert Lamm)

A founding member of Chicago, keyboardist Robert Lamm got his start performing in a men’s and boys’ choir at Grace Episcopal Church in Brooklyn Heights. The New York City native eventually moved with his family to the city that would also be the name of his future group, shortly after starting to attend Brooklyn Tech. It was during his time performing with the choir that the presence of a practice piano led to Lamm’s introduction to the “’88s.”

“Before and after the actual rehearsal, there were other boys that did play piano, so we would sort of take turns and sit down at the piano until the choir master chased us out. I had never taken any piano lessons at all, so I just sort of sat down and mimicked ‘Heart and Soul’ and that kind of thing,” he recalled. “I played by ear for a very long time. I just sort of taught myself and I was later told by the parents of some of the other kids that did play that I had a nice touch. I don’t know what that meant at the time, but I did feel very comfortable playing the piano.”

Lamm recently shared some of his favorite ivory ticklers with Long Island Weekly.

Bill Evans at Montreux Jazz Festival, Switzerland in 1978. (Photo by Brian McMillen)

Bill Evans (August 16, 1929 to September 15, 1980)

“He had very unique comping and a very individual approach to interpreting melody. He was always in the pocket rhythmically. He’s on a lot of records where he was not the leader, but you could tell he was in that band. For me, he was very distinctive and even at my young age, I had one of the Trio albums—maybe the second one with Gary Peacock. I didn’t have a clue as to how to play jazz. Those albums hypnotized me.”

Jimmy Smith (Photo by Hammondite)

Jimmy Smith (December 8, 1925 to February 8, 2005)

“I love Jimmy Smith. I have all his albums like everybody else. He played the organ the way a horn player plays his horn, so that’s what the draw was. And he had that very individual sound that all of us copied.”

Joey DeFrancesco (Photo by Gloria DeFrancesco)

Joey DeFrancesco (April 10, 1971 to present)

“He just gets better as he ages and he sings too.”

Cory Henry (Photo by Tore Saetre)

Cory Henry (February 27, 1987 to present)

“He’s young and has loads of potential. Interesting to see where he goes.”

Bill Charlap (October 15, 1966 to present)

“Bill has great feel, great repertoire and amazing technique.”

Aaron Diehl

Aaron Diehl (September 22, 1985)

“Aaron has a great combination of groove, energy and technique.”

Chicago will be appearing on June 17 and 18 at NYCB Theatre at Westbury, 960 Brush Hollow Rd., Westbury. For more information, visit or call 877-598-8497.

Read LIW’s full interview with Robert Lamm: Chicago’s Long and Winding Road

Chicago’s Long And Winding Road

Dave Gil de Rubio
In addition to being editor of theNassau Observer, Dave Gil de Rubio is a regular contributor to Long Island Weekly, specializing in music and sports features. He has won several awards for writing from Press Club of Long Island (PCLI), New York Press Association (NYPA) and Fair Media Council (FMC).


  1. Nice article, very informative although i would like to have heard what Cetera said to Lamm, spoiled little brat, his solo career was mediocre at best, lucky for him “glory of love” had Cher performing a duet with him. He should be thankful for the chance to become a superstar, but to not show up to the hall of fame ceremony just proves he is a selfish, egotistical, narcissist. (maybe not so much the latter)

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